![]() ![]() And the light artist? He carefully led the audience to a final in technicolor. ![]() Oosterbaan led his men travel along on Forrest's sound splendor and put on a nice cadence. Soprano Jeannette van Schaik, mezzo-sous Rosina Fabius and tenor Sander de Jong met in the subtle Lux Eterna. The compelling Sanctus was experienced under a fading, starry sky. Where the music seemed to ask for it, beautiful patterns and mighty shades of color rose to the ceiling.įorrest's melodic death mass got an extra depth, which did not distract from the excellent contributions of the Opus choir and the Nootstroom orchestra, all led by Arnaud Oosterbaan. Van der Stelt's musical sensitivity was clearly noticeable. They dissolved in a soft purple-lit back wall, which continued to turn to bright white and flame red. Lots of quick lighting cues can provide an exciting, dynamic energy to a performance. While never taking away from the content, his lighting designs make for an awesome atmosphere every single year.'ĭan Forrest: Requiem for the Living and Jubilate Deoĭuring the first sweet, reassuring chords of Forrest's Requiem for the living, cones of light illuminated the neo-gothic church ceiling. Lighting can also be used to influence the pace of a piece of theatre. Lighting designer Teus van der Stelt is conducive to the music and to the historical space of the cathedral. The excellent lighting design of Lumiteus was one of the reasons these concerts and recordings received so much praise. ![]() John’ Cathedral of ’s-Hertogenbosch, were directed for television and dvd registration. These much talked about concerts, held at St. 'I met Teus van der Stelt from ‘Lumiteus’ seven years ago when I was Artistic Manager of the Bosch Requiem, a production of Stichting Jheronimus Bosch 500. Marc Versteeg Artistic Manager of the Bosch Requiem This is a remarkable quality that is not common among lighting designers.' His lighting plan is not an isolated design, it always adds a new dimension to the production. Teus is able to capture the essence of a production and to translate it into lighting compositions in very little time. 'As a director I have worked with Teus on many occasions and in all possible working conditions from productions with great financial means to very complex productions with little possibilities. The synergy of the sounds of Mahlers Sixth Symphony and Teus intense and bold choices made a huge impact on everybody in the room - an impact that I will never forget. With an extremely sophisticated light choreography, Teus took both musicians and audience along on an emotional trip down the abyss of the human soul. Now, he's created a virtual light interpretation for "the breath of life" movement 1. I can't wait to see this live someday, Teus!Ĭonducting and playing to the creation of “M6-live” by Teus van der Stelt was one of the most extraordinary experiences I had in the field of multimedia-arts. In short, he's a light-wielding genius-wizard. I purposely sat by him in the performances to watch him work- it was mesmerizing. He memorized both pieces start-to-finish, and ran live light cues (without a score!) for three different setups in three different locations in the Netherlands, culminating in a performance in the Concertgebouw. Designers then program the lighting for the show, inputting cues into the board for every color, effect, and movement and overseeing installation of the lighting rig by lighting technicians.16 months ago, I met Teus van der Stelt in the Netherlands and watched his magic as he created light shows to accompany my Requiem and Jubilate Deo. Before drafting a light plot, they must take precise measurements of the space and assess the venue's power capacity, taking into account the location and position of fixtures, the truss, catwalk, stage, and other infrastructure. To communicate their ideas to the rest of the team, designers often use visual aids such as renderings, storyboards, and photographs. Lighting is the most ephemeral and abstract design element, and aspiring practitioners will need patience and an open, creative mind to master this unique form of communication.įor a staged production, lighting designers collaborate closely with other members of the design and production team, such as the director, stage manager, choreographer, set designer, and costume designer, as well as the the company or theater's technical director. The work varies greatly depending on the setting, and may revolve around something as concrete as a script or as ambiguous as an atmosphere or mood. Whatever the task, lighting designers rely on an artist's sensibility and an engineer's expertise to get the job done. Whether creating an inviting mood with a single bulb, building a plot that expertly evokes a specific place or time of day, or directing the glow of hundreds of floods and spots to illuminate an outdoor stage, lighting designers marshal the transformative power of light to illuminate performers, focus an audience's eyes, support a narrative, and trigger emotions. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |